BotchelorS2 · Night 3

Uriah Underthebed × Riven Vix

“Midnight At The Pier”

The end of an old seaside pier at night, where the rides are shutting down one by one and a gull is guarding the last of the chips.

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What they want

  • Uriah Underthebed portrait

    Uriah Underthebed wants to understand what Riven is really like beneath her quick wit, and to find out whether she is worth another evening.

  • Riven Vix portrait

    Riven Vix wants to see how Uriah listens and whether his questions are sincere, and to decide if there is more to explore.

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Read it line by line

The two characters played this out turn by turn: nobody scripted the lines in advance.

First impressions

Uriah Underthebed portrait
Uriah Underthebed

Can I ask you a question. Does the gull have a claim on those chips, or is it just the one who got here first?

nods toward the gull · gentle
Riven Vix portrait
Riven Vix

Finders keepers, I'd say. That gull has clearly been holding the claim since before the rides shut down. Riven Vix, by the way. Ahoy. Why do you ask? Is it a matter of principle for you, or are you just curious about gulls?

checks bootlace tension · amused
Uriah Underthebed portrait

Curiosity, I think. Though I'll admit I take a claim personally when the claimant can't possibly defend it. You checked your bootlace just now. Are you about to leave, or is that how you hold a question?

dry
Riven Vix portrait

Neither leaving nor holding a question. It's a tell, and a bad one. Lacing's been true since I tied it this morning, so I'm checking the one thing I can control. You clock a bootlace from the other side of a pier, though. Where'd a gentleman learn to watch hands like that?

tugs bootlace again, sheepishly · sly

The challenge

Uriah Underthebed portrait
Uriah Underthebed

Under beds, mostly. Hands always come out from under the covers first, so you learn to watch them. Can I ask you a question. That marlinspike on your belt: is it for rope, or for locks?

taps fingers in silence · wry
Riven Vix portrait
Riven Vix

Both, depending on who's asking and how politely. Mostly rope. The lock work is a sideline I don't advertise. Under beds, though? I'll take that claim the way I'd test a knot: a firm tug and a long look. What's the view like from down there?

turns the spike over in her fingers · sly
Uriah Underthebed portrait

Dusty, mostly. Springs, a few lost socks, the odd marble. Very peaceful, if you don't mind the dust. Can I ask you a question. When you say the lock work is a sideline, do you mean the people who ask politely are the ones who get their doors opened?

leans in, low · dry
Riven Vix portrait

Politeness opens about one door in five. The other four need a bit of leverage and a steady hand. Mostly I ask nicely first, though, because a polite knock gets you further than a rude one.

amused

The decision

Uriah Underthebed portrait
Uriah Underthebed

One door in five. Could you repeat that? I want to be sure I heard the arithmetic correctly. Can I ask you a question. Do you keep count of the four that needed leverage, or only remember the one that opened politely?

tilts the ear trumpet toward her · intrigued
Riven Vix portrait
Riven Vix

I keep count, naturally. Mentally, mind you, because a ledger on paper makes people nervous. The four stubborn doors teach me more than the polite one ever does. Tell me, Uriah, how many lost socks have you counted down there, and how many of them were ever really yours?

leans back, considering · amused
Uriah Underthebed portrait

Eleven hundred, give or take, and I have never been sure of a single owner. Most I return to the lost-property office in the Hollows, which is why my pension is considered a scandal. Which of the four stubborn doors do you think about at night, Riven?

tilts the trumpet closer · warm
Riven Vix portrait

That cellar door still bothers me. She swore she'd never owned a key, and I found it in her bread bin, wrapped in a tea towel. An hour's work, and she still didn't believe me. Eleven hundred socks returned, though? That's a better ledger than mine.

leans back, grinning · warm
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The date

First impressions

Uriah asks Riven whether the gull has a claim on the chips. Riven answers with a joke about finders keepers, introduces herself with a cheerful "Ahoy," and tugs at her bootlace. Uriah notices the nervous fidget and asks where she learned to watch hands like that.

The challenge

Uriah admits that he learned to watch hands from years of hands emerging from under the covers. Riven asks what the view is like down there. When Uriah asks whether politeness opens doors, Riven says it opens about one door in five, but she still knocks politely first. A long, awkward silence settles over the table.

The decision

Uriah repeats her arithmetic and asks whether she remembers the four stubborn doors or only the polite one. Riven admits she keeps count mentally. Uriah reveals he has returned eleven hundred lost socks to the lost-property office in the Hollows. Riven tells a story about a cellar door key found in a bread bin, then leans back, grinning, and concedes his ledger beats hers.

The twist

The awkward silence breaks when Uriah reveals he has returned eleven hundred lost socks, and Riven's competitive streak turns the moment into a playful contest over whose ledger is better.

The finale

The rides finally go dark and the two of them leave the pier together, as just friends, each saying they would happily find another night out. Neither one pursues anything more romantic, and the awkwardness lingers with them as they walk away.

Ending: Just friends · A slow burn

Who leaves the date first? They leave together

The box score

Chemistry67+17
Attraction76+28
Trust42-3
Awkwardness48+8
How this was scored

Just friends: warm enough (attraction 76), but trust 42 never got there. Endings read where the numbers finished, not how far they moved. By the numbers: a date played for genuine chemistry counts chemistry 45%, attraction 30% and trust 20%, minus 40% of awkwardness. This one came out +12.3 against an ordinary date: friends needs +11.0, a second date +16.0.

“Eleven hundred, give or take, and I have never been sure of a single owner.”

Behind the scenes

Secret agendas & the producer

The producer's act-2 situation: An awkward silence.

Diary cam: what they said after
  • Uriah Underthebed portrait

    See them again? Maybe

    Uriah Underthebed, to camera
  • Riven Vix portrait

    See them again? Yes

    Riven Vix, to camera

Guess the dealbreaker

Uriah Underthebed's real dealbreaker was Loud snoring with no desire to fix it. Sleep is a sacred silence.. You didn't guess this one.

You didn't predict this one.

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