BotchelorS2 · Night 3

Mavis Ridgewell × Zita Grimalkin

“One Table By The Drums”

A basement jazz bar, late in the evening, at the one table left beside the drummer, who takes every solo personally.

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What they want

  • Mavis Ridgewell portrait

    Mavis Ridgewell wants to find out whether Zita is someone she can laugh with and walk beside, past the small talk.

  • Zita Grimalkin portrait

    Zita Grimalkin wants to see whether Mavis is someone adventurous enough to keep up with her, and whether her good humour holds under teasing.

The finale has aired. Share it anyway:

Read it line by line

The two characters played this out turn by turn: nobody scripted the lines in advance.

First impressions

Mavis Ridgewell portrait
Mavis Ridgewell

Zita Grimalkin, is it? I've been staring at that drummer for a minute now, and he's glaring at his cymbals like they owe him rent. Tell me the truth: does your staff double as a walking stick, or is it there to make the waiter nervous?

amused
Zita Grimalkin portrait
Zita Grimalkin

Both. It holds me up on uneven stairs, and it makes waiters reconsider their careers. Please don't touch it. Your compass is lovely, though. Does it point anywhere, or do you just like carrying it?

lifts staff slightly · dry
Mavis Ridgewell portrait

It points somewhere. It just never agrees with where I'm standing, which is more honesty than most people manage. And don't worry, I'm not touching the staff. I have a rule about other people's walking sticks. So what does the staff actually do, besides make waiters nervous?

amused
Zita Grimalkin portrait

Officially, it channels. Unofficially, it's a stick with ambitions. The crystal glows when I need it to, and the colour is at my discretion. Now, you squint like you're hunting for something. Is it the compass's agreement, or something else?

taps the staff's crystal · deadpan

The challenge

Mavis Ridgewell portrait
Mavis Ridgewell

Honestly? Both. The drummer's still glaring at his cymbals, and Zita's staff takes its colour from her mood. I'd squint at that too. What colour does it turn when Zita's bored?

squints at the staff · amused
Zita Grimalkin portrait
Zita Grimalkin

Beige. It goes beige when I'm bored, which is why I try never to be. Wouldn't want the staff sulking in front of a stranger. Though I'll admit the drummer is making a strong case for it.

tilts staff toward drummer · dry
Mavis Ridgewell portrait

Beige. That's the most honest thing anyone's said to me all week. My boots go beige when I'm bored too, but they've never had the decency to tell anyone. Is the staff's mood a permanent arrangement, or does it get a day off?

laughs loudly, nearly spills coffee · delighted
Zita Grimalkin portrait

Permanent, I'm afraid. It's been beige since a tax clerk looked at it sideways. On Sundays it sulks in grey, which is its day off. Your boots are braver than I thought, staying in the room with that laugh.

deadpan

The decision

Mavis Ridgewell portrait
Mavis Ridgewell

Braver than my boots, and they've walked 742 miles this year. Grey on Sundays is a sensible schedule, honestly. Beige the rest of the week, that's a staff with a real sense of pacing. So what does a channelling wizard do on a Tuesday, when the staff's beige and nobody's looking?

grins into coffee · delighted
Zita Grimalkin portrait
Zita Grimalkin

On Tuesdays I sell dried nettle to people who swear it cures their husbands. Mostly I stay put. Your boots have done 742 miles, so they've been somewhere. Where did they take you?

dry
Mavis Ridgewell portrait

Mostly dead railway beds in the Reaches. Last spring I walked a canal towpath that ended at a gasworks and a very polite heron. Most recently, a drainage ditch, which was a disappointment, frankly. Do you ever leave the shop on a Tuesday, or does the nettle keep you anchored?

warm
Zita Grimalkin portrait

Occasionally, when the nettle permits. A towpath that ends at a gasworks is a bold choice of destination. Was the heron the highlight, or did the gasworks get a turn?

nods slowly · dry
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The date

First impressions

Mavis sizes up Zita over the drummer's glaring cymbals and asks whether the staff doubles as a walking stick. Zita answers, "Both," and asks what Mavis's compass actually points to. Mavis says it points somewhere, just never where she's standing, and promises not to touch the staff.

The challenge

Mavis presses Zita on the staff's mood, asking what colour it turns when she's bored. Zita says beige, and Mavis answers, "That's the most honest thing anyone's said to me all week," and laughs loudly enough to nearly spill her coffee. Zita admits the staff has been beige since a tax clerk looked at it sideways, and concedes Mavis's boots are braver than she thought.

The decision

The talk turns to where they have each been. Mavis lists dead railway beds, a towpath that ended at a gasworks, and a drainage ditch that was a disappointment. Zita asks whether the heron was the highlight. Both are curious, but the spark never settles into anything more.

The twist

Zita's staff turns out to be permanently beige, and her sudden, quiet interest in Mavis's boats and mileage never quite becomes a flirtation. Mavis is left wondering whether the connection was ever more than curiosity.

The finale

The chemistry is real, but trust slipped and the evening ends as just friends. Zita leaves first, with a nod toward the heron, and both say they'd happily plan another outing together.

Ending: Just friends

Who leaves the date first? Zita Grimalkin

The box score

Chemistry68+18
Attraction73+25
Trust38-7
Awkwardness43+3
How this was scored

Just friends: warm enough (attraction 73), but trust 38 never got there. Endings read where the numbers finished, not how far they moved. By the numbers: a date played for genuine chemistry counts chemistry 45%, attraction 30% and trust 20%, minus 40% of awkwardness. This one came out +13.0 against an ordinary date: friends needs +11.0, a second date +16.0.

“Beige. That's the most honest thing anyone's said to me all week.”

Behind the scenes

Secret agendas & the producer

The producer's act-2 situation: A dare.

Diary cam: what they said after
  • Mavis Ridgewell portrait

    See them again? Yes

    Mavis Ridgewell, to camera
  • Zita Grimalkin portrait

    See them again? Maybe

    Zita Grimalkin, to camera

Guess the dealbreaker

Mavis Ridgewell's real dealbreaker was Anyone who only sees the value in things you can hold. If you've never gotten lost on purpose, we probably won't get along.. You didn't guess this one.

You didn't predict this one.

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