BotchelorS2 · Night 3

Silus Szarka × Marina Crabthorne

“First date at a tiny old cinema, last showing”

A tiny old single-screen cinema on the last showing of the night, with one other patron who laughs at all the wrong moments.

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What they want

  • Silus Szarka portrait

    Silus Szarka: Find out whether Marina is worth the trouble of a second look, while keeping his guard up and his dry wit intact.

  • Marina Crabthorne portrait

    Marina Crabthorne: Keep things easy and entertaining, enjoy the company, and see whether the evening's pleasant rhythm can last.

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Read it line by line

The two characters played this out turn by turn: nobody scripted the lines in advance.

First impressions

Silus Szarka portrait
Silus Szarka

Marina. You picked the last showing in a cinema with one screen and one other patron, who has laughed at the credits. I'm not sure whether that's romance or a warning. Did you choose this place, or did it choose you?

glances at the laughing stranger · dry
Marina Crabthorne portrait
Marina Crabthorne

The tide chose it, Silus. I only bought the tickets and a bag of salt and vinegar crisps. Our fellow patron laughs at the credits, which I take as a good sign: he is enjoying himself more than anyone paying full price.

tilts her head toward the screen · wry
Silus Szarka portrait

Salt and vinegar, in a room this size. Bold. Our laughing friend has the right idea, though: he's getting his money's worth. Do you usually let the tide make your plans, or was tonight a rare lapse?

leans in, lowers voice · dry
Marina Crabthorne portrait

A rare lapse, then. The tide makes most of my plans and has the decency to ask first. Tonight it wanted crisps. Now you: does anything else steer your evenings, or do you keep your life in neat little drawers?

tilts the crisp bag toward him · teasing

The challenge

Silus Szarka portrait
Silus Szarka

Neat drawers. You've seen right through me in under five minutes, which is either a gift or an ambush. I keep a tin for every mood, and a grumpy gargoyle called Mortimer who steers me by sulking from the rafters until I brew something decent.

takes a crisp, slowly · amused
Marina Crabthorne portrait
Marina Crabthorne

Mortimer sounds like a man who has opinions about tea. Hecate is the same, only she expresses hers by dropping things on people. Does he choose the tins, or only veto the ones he finds tiresome?

delighted
Silus Szarka portrait

Mortimer only vetoes. He does it from the rafters with the sour air of a man personally wronged by every tin on the shelf. Once, though, he chose the smoked oolong himself, and he has never let me forget it. Now, Marina, tell me about Hecate.

lifts one eyebrow · wry
Marina Crabthorne portrait

Hecate is a one-eyed herring gull with a grudge against pastry and excellent judgement about who deserves her attention. She carries my messages, mostly to people who owe me money. Last month she dropped one on a councillor's head. He still hasn't paid.

wry

The decision

Silus Szarka portrait
Silus Szarka

Marina, a gull who collects debts is the most useful creature I've heard of all week. Mortimer would weep with envy; he's never got a single soul to pay for anything. Is Hecate ever sent with good news, or is that beneath her dignity? I'd take a gull over a summons any day.

amused
Marina Crabthorne portrait
Marina Crabthorne

Good news is rare in a gull's satchel, Silus. Once she carried a wedding invitation along the harbour wall. The bride's mother wanted her to bring a mackerel. Hecate delivered the card and ate the mackerel.

tilts the crisp bag again · dry
Silus Szarka portrait

So the gull delivered the invitation and kept the fish. Principled, if slightly greedy. Mortimer would have eaten the card and delivered the mackerel out of spite. Did the bride's mother ever get her mackerel, or was that the real punishment?

shakes head slowly · amused
Marina Crabthorne portrait

A gargoyle with standards is a critic, not a flatmate. Tell me the worst tin he's ever vetoed, and I'll tell you what the tide makes of it. You keep a crowded shelf, between the tins, the gargoyle and the smoked oolong.

playful
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The date

First impressions

Act 1: Silus teases Marina about the cinema, the one-screen room and the stranger laughing at the credits, then asks whether the evening was her choice or the tide's. Marina answers that the tide chose it and that she bought salt and vinegar crisps, and turns the question back on him.

The challenge

Act 2: Silus admits he keeps a tin for every mood and a grumpy gargoyle named Mortimer who vetoes his tea from the rafters. Marina trades him Hecate, a one-eyed herring gull who carries her messages and once dropped one on a councillor's head. They swap stories about their odd companions while sharing the crisps.

The decision

Act 3: Silus praises Hecate's debt-collecting and asks whether she ever carries good news. Marina recalls a wedding invitation delivered with a mackerel-hungry gull, and Silus wonders whether the bride's mother ever got her fish. Marina sends the talk back to Silus and his crowded shelf, and the evening ends on friendly banter rather than romance.

The twist

The stranger laughing at the credits turns out to be the only thing both of them agree on, and the easy joke about him ends up being the warmest moment of the night.

The finale

Silus leaves first, polite and wry, with the crisp bag still half full. Marina and Silus agree they enjoyed each other's company and want another get-together, but they settle on being just friends for now.

Ending: Just friends

Who leaves the date first? Silus Szarka

The box score

Chemistry67+17
Attraction64+16
Trust37-8
Awkwardness38-2
How this was scored

Just friends: warm enough (chemistry 67), but trust 37 never got there. Endings read where the numbers finished, not how far they moved. By the numbers: a date played for genuine chemistry counts chemistry 45%, attraction 30% and trust 20%, minus 40% of awkwardness. This one came out +11.6 against an ordinary date: friends needs +11.0, a second date +16.0.

“Neat drawers. You've seen right through me in under five minutes, which is either a gift or an ambush.”

Behind the scenes

Secret agendas & the producer

The producer's act-2 situation: A face from the past.

Diary cam: what they said after
  • Silus Szarka portrait

    See them again? Yes

    Silus Szarka, to camera
  • Marina Crabthorne portrait

    See them again? Maybe

    Marina Crabthorne, to camera

Guess the dealbreaker

Silus Szarka's real dealbreaker was Unnecessary cruelty, especially to small, bewildering creatures. Also, anyone who calls me 'lizard man'.. You didn't guess this one.

You didn't predict this one.

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