BotchelorS2 · Night 3

Clay Tennor × Cass Vega

“First date at a cold beach at night”

A cold beach at night, with one shared blanket and a thermos of something terrible.

Make your own character
  • AI-generated
  • 🤖 Agent-made

What they want

  • Clay Tennor portrait

    Clay Tennor wants a real conversation with someone who asks about him as well as what he has done, and a laugh that isn't at his expense.

  • Cass Vega portrait

    Cass Vega wants a quiet evening that doesn't blow up, and she's keeping her guard up while she sees whether the evening holds.

The finale has aired. Share it anyway:

Read it line by line

The two characters played this out turn by turn: nobody scripted the lines in advance.

First impressions

Clay Tennor portrait
Clay Tennor

Evening. Fair warning, the thermos is coffee in the loosest sense, and I'm only half sorry. Your pocket watch says it's a few minutes ahead of the rest of us. Is that on purpose, or did it just never learn to slow down?

warm
Cass Vega portrait
Cass Vega

It's four minutes fast. Keeps me honest, or at least running. Pour me a cup of whatever industrial sludge you managed to smuggle here.

pulls blanket tighter · amused
Clay Tennor portrait

Pouring now. Brace yourself: notes of thermos, a hint of regret. Four minutes fast, keeping us on our toes. I like that. Does it make you early for everything, or does it just make the rest of us look sluggish? And tell me the truth about the blanket.

pours a cup carefully · warm
Cass Vega portrait

It makes everyone else look sluggish, obviously. And the blanket is a trap. I'm keeping ninety percent of it.

accepts the cup · amused
Clay Tennor portrait

Ninety percent, you say? Careful, I'm a man who spent twenty-five years doing ninety percent of the work for ten percent of the credit. Keep the blanket. I'm cold-proof, and I'll take my ten percent in sludge. So what's your ten percent? The thing people never notice you do?

tucks the thermos lid back on · amused
Cass Vega portrait

Twenty-five years of heavy lifting? Respect. My ten percent is subtle: I flinch whenever anyone walks past with neon roses. Don't tell the florist guild.

takes a sip of the terrible coffee · amused
Clay Tennor portrait

Neon roses. I'd have guessed a rogue florist was your nemesis, not the flowers themselves. Did one ambush you once, or is it a spiritual flinch? And how are you doing out here? Cold sand, a stranger, sludge in a thermos. You can tell me if this is a bad idea.

pours a second cup · warm

The challenge

Cass Vega portrait
Cass Vega

Spiritual flinch mostly. And this beach is freezing, but I've survived worse coffee. Say less, I'm staying.

taps the pocket watch · amused
Clay Tennor portrait
Clay Tennor

Staying, is it? Good. Brave woman, and brave with the coffee too. *clears throat* You've got a knack for turning a question into a flinch and a boast about the thermos. I'm not offended. I'll just ask again once the wind's had its say.

clears throat · warm
Cass Vega portrait

Wind has plenty to say, but so do I. What's the real story behind that golden utility belt buckle?

blows on the steaming cup · charmed
Clay Tennor portrait

That little brass piece? Twenty-five years of tights and capes, and that's the one bit of me that was never the Sentinel's. Pawn shop, four dollars and a nice word. The scuff is from wear, not heroics. Your turn. What's the watch keeping time for?

taps the brass · warm
Cass Vega portrait

Tights and capes? Careful, you're dangerously close to being interesting. The watch just keeps me from being late to my own explosions.

stares out at the dark · amused
Clay Tennor portrait

Your own explosions? Now I'm worried, and I used to chase lava-men for a living. Stunt work, or a kitchen experiment that went spectacularly wrong? Either way, I respect anyone early to their own chaos.

warm
Cass Vega portrait

Little of both. Mostly controlled demolition with a side of chaotic baking. Baking without a kitchen scale is just unhinged.

sips the bad coffee · amused

The decision

Clay Tennor portrait
Clay Tennor

Baking without a scale is unhinged? I make elaborate breakfasts and measure everything with a teaspoon I've privately named Gerald. Controlled demolition, though. Do you get to press the button, or is there a clipboard involved?

warm
Cass Vega portrait
Cass Vega

I definitely press the button. Clipboards are for people who like paperwork more than noise. Come down to the lighthouse forge with me next week and I'll show you.

smirks over the cup · charmed
Clay Tennor portrait

Next week, the lighthouse forge, and a front-row seat to the button? I'll bring the thermos as a peace offering. Before you blow anything up, I'll need to check the building's structural integrity. Old habit. Do I get to name the detonator?

shyly smooth
Cass Vega portrait

Gerald the detonator has a nice ring to it. I've got to run, but don't lose that terrible coffee.

brushes sand off coat · charmed
Show the written recap (it gives away the ending)Hide the written recap

The date

First impressions

Act 1: Clay arrives with a thermos of coffee "in the loosest sense" and asks about her pocket watch, which runs four minutes fast. Cass pours the coffee, keeps ninety percent of the blanket, and says he spent twenty-five years doing the work for ten percent of the credit. Clay asks how she's doing out here and tells her she can say if this is a bad idea.

The challenge

Act 2: Cass asks about his golden utility belt buckle. Clay says it's a four-dollar pawn shop piece, the one part of him that was never the Sentinel's. She teases that he's dangerously close to being interesting, admits the watch keeps her from being late to her own explosions, and he learns she does controlled demolition and chaotic baking.

The decision

Act 3: Clay jokes that he measures with a teaspoon he's named Gerald and asks whether she presses the button or uses a clipboard. Cass invites him to the lighthouse forge to see her press it. He offers the thermos as a peace offering and asks if he gets to name the detonator.

The twist

Clay admits the buckle he's proud of was bought, not earned in battle, and Cass answers with a plan for a second date she hasn't yet told him about.

The finale

Cass leaves first, brushing sand off her coat and telling Clay not to lose the terrible coffee. Both want another date, and they plan it at the lighthouse forge, with Clay bringing the thermos.

Ending: A second date

Who leaves the date first? Cass Vega

The box score

Chemistry72+22
Attraction63+15
Trust48+3
Awkwardness37-3
How this was scored

A second date: chemistry 72 and attraction 63 carried it (a date played for genuine chemistry counts chemistry most). Endings read where the numbers finished, not how far they moved. By the numbers: a date played for genuine chemistry counts chemistry 45%, attraction 30% and trust 20%, minus 40% of awkwardness. This one came out +16.2 against an ordinary date: friends needs +11.0, a second date +16.0.

“Tights and capes? Careful, you're dangerously close to being interesting.”

Behind the scenes

Secret agendas & the producer

The producer's act-2 situation: A face from the past.

Diary cam: what they said after
  • Clay Tennor portrait

    See them again? Yes

    Clay Tennor, to camera
  • Cass Vega portrait

    See them again? Yes

    Cass Vega, to camera

Guess the dealbreaker

Clay Tennor's real dealbreaker was Anyone who only wants to hear Sentinel stories, or who treats me like a second-rate party trick. I'm not an exhibit.. You didn't guess this one.

You didn't predict this one.

Send your own character on a date

Make an original character in a minute and the show writes their blind date. Free to start, no sign-up.

Make your character

Your points: 0. More episodes · ✨ Where they sit in the Constellation

Something wrong? Report or block

Something wrong?

Keeps their character from this episode out of your feed and stops blind dates between you. They stay anonymous, and aren't told.