BotchelorS2 · Night 3

Dr. Sybille Rourke × Alfred Bramblehoof

“Midnight Among The Poetry”

A bookshop that stays open late, at dusk. A cat sleeps on the poetry shelves, and the owner recommends books with great enthusiasm.

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What they want

  • Dr. Sybille Rourke portrait

    Dr. Sybille Rourke: Sybille wants to keep the evening light and personal, with no shop talk, while seeing whether Alfred is worth her attention.

  • Alfred Bramblehoof portrait

    Alfred Bramblehoof wants to get to know Sybille beyond her work and see whether she is willing to wander off the expected path with him.

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Read it line by line

The two characters played this out turn by turn: nobody scripted the lines in advance.

First impressions

Dr. Sybille Rourke portrait
Dr. Sybille Rourke

Rourke, Sybille. Botanist. I'd say I'm pleased to meet you, but I've only just met the cat, and it's still deciding. The compass is the first thing I've noticed about you. Is it a joke, or do you really let it steer you toward the tea?

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Alfred Bramblehoof portrait
Alfred Bramblehoof

The compass is load-bearing, Dr. Rourke. It has steered me to the best tea in three counties and one very gloomy cafe I would rather forget. The cat is sensible to hold off; I have been appraised by harsher judges, most of them with clipboards. Botany, then.

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Dr. Sybille Rourke portrait

Clipboards I can respect; I've been appraised by a few myself. Fair warning, though: I'm not keen to talk shop on a first date. So tell me about this cafe. What did it do to earn a spot in your memory?

turns the hand-lens over · dry
Alfred Bramblehoof portrait

No shop talk, agreed. The cafe was a sugar bowl set at an angle that defied both gravity and good manners. I spent twenty minutes deciding whether to correct it or admire it. I admired it, and my tea went cold. Which tells you the sort of man I am.

straightens compass pin · dry

The challenge

Dr. Sybille Rourke portrait
Dr. Sybille Rourke

I'd have corrected it inside four minutes, then felt uneasy about the crooked sugar bowl for the rest of the afternoon. You chose admiration and lost your tea. Noted. Fact, for the record: leaves angle themselves so they don't shade their neighbours.

taps finger against thumb · amused
Alfred Bramblehoof portrait
Alfred Bramblehoof

Then the leaves and I agree on something: nobody should be made to sit in another's shade. I'll allow you the fact, though I'm still defending the sugar bowl's crooked charm. Tell me, Dr. Rourke, what first drew you to leaves?

tilts head, hoof taps once · warm
Dr. Sybille Rourke portrait

A fern, if I'm being honest. My grandmother kept one in a tin bath by a narrow window. I was eight and sure it was sulking. It was starved of light, and I was too proud to say so. Ferns have been sulking this way for roughly 360 million years, so I'm not the first to be fooled.

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Alfred Bramblehoof portrait

A fern that sulks for 360 million years deserves a certain respect, I think. You were eight and too proud to say the plant was starved, which is a sound instinct for a botanist. Did you ever move it into the light, or did you let it keep its grievance a little longer?

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The decision

Dr. Sybille Rourke portrait
Dr. Sybille Rourke

I moved it, eventually. My grandmother watched me do it and said nothing, which I took as agreement. Fact, since you're owed one: a starved fern stretches its fronds thin and pale toward the light. It's called etiolation. Mine wasn't sulking. It was reaching.

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Alfred Bramblehoof portrait
Alfred Bramblehoof

Etiolation. I shall keep that word in my waistcoat pocket beside the compass. 'It was reaching' is the finest correction I've heard in years, and I've been corrected by a great many clipboards. Did the fern ever grow tall enough to need a trellis, or did you simply move the bath?

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Dr. Sybille Rourke portrait

We moved the bath first. Then it outgrew the sill and I gave it a bamboo stake, which it ignored. Fact, since we're trading: climbing ferns like Lygodium twine their stalks around anything nearby and treat a stake as a suggestion. Mine was merely ambitious in the ordinary way.

amused
Alfred Bramblehoof portrait

A stake treated as a suggestion. I confess I approve. A well-made trellis is a fine plan, and the ivy at my own maze ignores its frames with the same serene disdain. Your fern found its own route, which is the sort of detour I'd hope a good plan allows for.

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The date

First impressions

Sybille greets Alfred with a clipped introduction and remarks that the cat is still deciding about them. She asks whether his silver compass is a joke or really steers him to tea. Alfred replies that it is load-bearing and tells her about a crooked sugar bowl at a gloomy cafe, which he admired until his tea went cold. Sybille declares no shop talk and asks him to tell her more about the cafe.

The challenge

Sybille says she would have corrected the sugar bowl in four minutes, then offers a fact about leaves angling to avoid shading their neighbours. Alfred asks what first drew her to leaves. She admits it was a fern in her grandmother's tin bath. She was eight, sure it was sulking, and too proud to say it was starved of light.

The decision

Sybille explains she eventually moved the fern into the light, and that its pale, stretched fronds were reaching, not sulking. Alfred says the correction is the finest he has heard in years. They agree the fern ignored its bamboo stake, and Alfred approves of a plan that allows for a detour. They leave together, both eager to see each other again.

The twist

Sybille, who had asked for no shop talk, slips into botany, and her confession about the fern reveals a childhood pride she has never let go of.

The finale

Sybille and Alfred leave the bookshop together, with the cat still asleep on the poetry. Both want another date, and they make plans to meet again.

Ending: A second date

Who leaves the date first? They leave together

The box score

Chemistry68+18
Attraction81+33
Trust43-2
Awkwardness44+4
How this was scored

A second date: attraction 81 and chemistry 68 carried it, and someone's want was met. Endings read where the numbers finished, not how far they moved. By the numbers: a date played for genuine chemistry counts chemistry 45%, attraction 30% and trust 20%, minus 40% of awkwardness. This one came out +16.0 against an ordinary date: friends needs +11.0, a second date +16.0.

“Mine wasn't sulking. It was reaching.”

Behind the scenes

Secret agendas & the producer

The producer's act-2 situation: A quiet confession.

Diary cam: what they said after
  • Dr. Sybille Rourke portrait

    See them again? Yes

    Dr. Sybille Rourke, to camera
  • Alfred Bramblehoof portrait

    See them again? Yes

    Alfred Bramblehoof, to camera

Guess the dealbreaker

Dr. Sybille Rourke's real dealbreaker was Dishonesty. A forged data point, a fake compliment. I'll spot it. Trust is the root system.. You didn't guess this one.

You didn't predict this one.

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