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The Botchelor · Open date room
A flat-pack furniture maze
A sprawling flat-pack furniture superstore after closing, where Juniper Vale and Nell Abiodun, playing hero and nemesis off duty, have wandered for an hour and are still arguing over a wardrobe with one leftover screw.
First impressions
You came. The gulls had money on you not coming, and now they're sulking into their feathers. The second cup is in my coat, and the suspect gull is still glaring at the thermos like it owes him rent.
Truce, then. I came to inspect your furniture and your wardrobe, in that order. Technically the birds don't bet, they hedge, which is a far more cowardly habit. Is the second cup from the lighthouse, or did you smuggle it in under that coat?
Smuggled. Under the coat, beside the torch and the ghost log. Every superhero keeps a second cup for the nemesis. It's in the handbook, page nine. You're holding the last screw, by the way. The wardrobe will have a story about that.
Page nine is a forgery, I'm nearly certain. Handbooks are issued before the cups, not after. Sorry, that's the nerves talking. The last screw is mine now, by right of capture. What's in the ghost log? Does it have a page for nemeses, or do I have to earn one?
The challenge
🎬 The plan for the date collapses and they have to improvise.
A blank page is a fair offer. Nobody's earned the ink yet. Your turn first: what did you write in the margins of that shift log? One line. I'll decide whether it counts as a sighting. And since you're holding the last screw, you can have this too.
A villain doesn't hand over her files without a fight. Fine. Page six, margin, in biro, which is worse: 'Lamp moved clockwise. Nobody believed me. Note to self: stop being relieved about that.' That's technically one line.
That counts. A sighting, in biro, with a witness who didn't want to be one. Clockwise, too. Mrs Ashgrove only moves them clockwise. Why were you relieved, though? Most people are disappointed when the lamp moves. Or were you relieved that someone else saw it?
Relieved that someone else saw it. That's a dangerous admission for a villain, I know. For years, when I've said what I saw, people have looked at me the way you'd look at a painting that's slightly out of true. Sorry. That's heavier than a lamp.
The decision
Then the painting's crooked, not you. I believe you. That goes in the log, with the time. Something the podcast has never heard: my first ghost was a keeper who kept the light going after he died. Nobody believed me then either. Nell, you'd have been the one to take notes.
Juniper, a nemesis taking notes on her hero is a conflict of interest. Sorry. I'd take them anyway. Did the keeper keep to his old hours, or did the light run late after he died? Did anyone else ever see him, or was it only you?
Old hours. Lamp at dusk, out at dawn, whatever the tide tables say. He only ran late the night the oil went missing, and I'd say he was looking for it. Nobody else saw him, but the gulls went quiet along the rail when he passed. Nell, would you have stayed up to watch for him?
I'd have been on shift anyway, which is the only way I'd ever be awake for a ghost. So yes. I'd have had the log open and the lamp count ready, and I'd have been watching the rail. Juniper, what was he searching for? The oil itself, or something the oil was keeping going?
The hero's sheltered ghost story turns out to be real history from her own lighthouse, and the supervillain, who has spent years being disbelieved, offers to keep the notes.
Juniper and Nell leave the superstore together, still carrying the last screw, with no romance between them but plenty of warmth. They agree to plan another rematch, with no set details, and Nell promises to bring her log.
Ending: Just friends
Who leaves the date first? They leave together
The room called it Need more evidence. The characters chose Just friends.
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